Burns, Episode 3 - More missing history

This episode covers the Tonkin Gulf incident and the arrival of US combat troops, in the 1964-65 time frame. That means there is plenty of combat to fill the time.

Once again, what was missing is more important than what was shown. Because what was missing would have given more weight and context to the anti-war movement. I am assuming that the narrative of this series is chronological. If he jumps back in time in later episodes, I will rethink these comments.

Here is what was missing:

1. The ongoing anti-nuclear protests, which had begun in Britain in the 1950s.

It was the Campaign for Nuclear Disarmamaent (CND) who actually invented the "peace symbol", well before the Viet Nam War cranked up. The phrase "ban the bomb" was well-known in the 1960s. It has yet to appear in this documentary.

Mr. Burns stays well away from the Damoclean sword of nuclear war, and how it permeated everyone's thinking, just as deeply as the anti-communism of the era. Mr. Burns inserts the anti-communist meme constantly, but he only mentions the fear of nuclear anhiliation at peak moments of military confrontation. It was a pervasive background hum, and served to energize the anti-war movement in general. CND was an organization in place that was quickly repurposed to oppose the war. Mr. Burns cannot be bothered to mention it.

2. The Nuclear Test Ban Treaty of 1963

This treaty simultaneously defused some of the anti-nuke fervor and also made conventional war seem a little less threatening. This landmark treaty showed that we could interact positively with the dreaded Communists.

3. The early (1963), massive Civil Rights demonstrations

These included the "March on Washington", which featured MLK's "I Have a Dream" speech. Mr. Burns's token protester, Bill Zimmerman, is astonished to find 25,000 antiwar protestors. But the 250,000 protestors at the MoW don't warrant a mention?

Summary:

It would seem that anti-communism is the only political force acknowledged by Mr. Burns. Fear of nuclear war is downplayed, as is its ability to organize political movements. The size and civility of the early Civil Rights movement is also ignored in favor of shots of violence at sit-ins and hatred at school desegration.

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On the CIA front, once again the Secret War in Laos is almost disappeared. One throw-away mention of the beginning of the largest aerial bombardment in history: "limited bombing of the Ho Chi Minh Trail in Laos". That mention was in a list of actions, called a "graduated response", taken by Johnson after the 1964 election. And those ten words are is all that is said about Laos. Nothing at all about the CIA.

Its not hard to find out about this campaign. Just type Operation Barrel Roll into Wikipedia:

Operation Barrel Roll was a covert U.S. Air Force 2nd Air Division (later the Seventh Air Force) and U.S. Navy Task Force 77, interdiction and close air support campaign conducted in the Kingdom of Laos between 14 December 1964 and 29 March 1973 concurrent with the Vietnam War...

Barrel Roll was one of the most closely held secrets and one of the most unknown components of the American military commitment in Southeast Asia. Due to the ostensible neutrality of Laos, guaranteed by the Geneva Conference of 1954 and 1962, both the U.S. and North Vietnam strove to maintain the secrecy of their operations and only slowly escalated military actions there. As much as both parties would have liked to have publicized their enemy's own alleged violation of the accords, both had more to gain by keeping their own roles quiet.

You know, Mr. Burns, this massive secret is as vital to a correct reading of the Vietnam War as the Bletchey Park codebreakers were to WW2. But, I'm sure its just an oversight that you don't elaborate on the significance of its beginning.

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Gulf of Tonkin Incident.

I am still evaluating the coverage of this.

On the positive side, Mr. Burns acknowledges that the US/South Vietnamese attack on North Vietnamese islands was a provocation, and (most importantly) that there was no second attack (which triggered the Congressional resolution). However, after saying the incident was "one of the most important events in American history", he never manages to directly state that this infamous, blank-check, war-without-a-declaration resolution was based on a lie.

On a path not taken, it would have been really useful to know who ordered the South Vietnamese attack (and the US support for it). That is, who in the US chain of command decided to put US Navy ships in harm's way while widening the war? Was it LBJ? McNamara? MACV? Of course, Mr. Burns is not interested in the reasons why we put our ass in a sling, he's is only interested in the walloping inflicted on that ass.

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Once past the watershed (Tonkin Gulf, 1964 election, US combat troops), the narrative becomes predominantly military.

Again, positively, Mr. Burns reports on how the war was escalated without the knowledge of the American public. For example, by not mentioning the switch from tit-for-tat bombing to sustained bombing campaigns.

I was gratified to see the "no press censorship" policy get a decent amount of coverage. It was that policy, from day one, which let the American public know there was an alternative narrative. Of course, the first thing that happened to those providing that narrative was that they were accused of being Communists. So, that part of the story was well-told.

I was conflicted about the Joe Galloway stories. The man either had a death wish or more balls than brains to hop choppers into the middle of two of the biggest battles in the early part of the war. His anecdotes are laugh out loud funny ("You may not shoot the little brown men inside the perimeter. They are mine.")

OTOH, the Galloway stories were your standard glorification of the plucky heroes and homage to the fallen. Despite the fact that Vietnamese got to tell their stories, the enemy was predominantly referred to as "the Communists". The Communists this, the Communists that. Only in the captions would people be identifed as "N. Vietnamese Army" or "Viet Cong". I felt like I was being propagandized that the motive of the Vietnamese was Communism, not independence.

That's it for this episode.

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why isn't Burns moving the camera along the Memorial Wall to show who got killed day to day, month to month?

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bygorry

You are making a very important contribution to the struggle against fascism, which is our war machine. I hope you are posting your observations far and wide.

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Citizen Of Earth's picture

was very good. Well as far as I can tell ayway because I wasn't alive at the time.

His problem with Vietnam is that lots of living people are still here to point out the bullshit. I was eligible to be drafted but my number didn't come-up. I was seriously considering a trip to canada to avoid dying in tricky dick's dumbass war. I guess JFK and Johnson deserve equal credit too.

At this point, I've seen enuff. God bless anyone who can stand to sit thru 18 hours of white washed history.

Thanks arendt. I read your summaries instead of watching.

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Donnie The #ShitHole Douchebag. Fake Friend to the Working Class. Real Asshole.

thanatokephaloides's picture

@Citizen Of Earth

His problem with Vietnam is that lots of living people are still here to point out the bullshit. I was eligible to be drafted but my number didn't come-up.

As a timely 1976 high school graduate, I only dodged that particular bullet by roughly 18 months. I had loads of people who actually got drafted and had to go and fight in all my post-secondary classes.

I was seriously considering a trip to canada to avoid dying in tricky dick's dumbass war. I guess JFK and Johnson deserve equal credit too.

Again, same here until early in my Junior year. Although fortunate in the end, I know that fear.

It sucks. Bad

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"US govt/military = bad. Russian govt/military = bad. Any politician wanting power = bad. Anyone wielding power = bad." --Shahryar

"All power corrupts absolutely!" -- thanatokephaloides

@Citizen Of Earth
by drafting me. It forced me to up and move to Canada, which turned out to be a far more congenial place than America. There were hundreds of us living in Montreal, even more in Toronto.

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native

Amanda Matthews's picture

In this case our barbarous disregard for the human rights of those unfortunate enough to be inhabitants of a place that has something we want and our government that starts killing those people based on a lie.

Do you like Pink Floyd? I love Pink Floyd. And I'm starting to think it's a Floyd kinda day at my house. It was s thrill to see/hear Roger Water perform this song last year;

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I'm tired of this back-slapping "Isn't humanity neat?" bullshit. We're a virus with shoes, okay? That's all we are. - Bill Hicks

Politics is the entertainment branch of industry. - Frank Zappa

b is agreeing with you wholeheartedly.

The "documentary" makes it seem as if the south-Vietnamese ruler Ngo Dinh Diem appeared from heaven instead of being installed by the CIA. It put him into his position. It helped to arrange the "election" that gave him a laughable 98.2% of the votes. It financed him. The episode has arch-imperialist Leslie Gelb, who was part of the deep state that created and ran the war, declaring that "we did what Diem said". That is nonsense. Diem was ruthless dictator but he would not have survived a day without U.S. support and protection.

Part two is a undeserved homage of Kennedy and his "brilliant" staff. McNamara is especially lauded. But his bean-counter mind lacked any capacity to judge human behavior and motives. That had catastrophic consequences...

Some other critical voices on the series have spoken up too:

Jeff Stein at Newsweek: Vietnam War: New Ken Burns Documentary Dismisses the Origins of the Futile, Disastrous Conflict

Burns strives to give everyone’s strongly held, divergent views equal weight, but before long, he’s waist deep in a historical big muddy, wandering among competing theories that obscure the root cause of a war ...

Thomas A Bass at Mekong Review: America’s amnesia

By Episode Two, “Riding the Tiger” (1961-1963), we are heading deep into Burns territory. The war has been framed as a civil war, with the United States defending a freely elected democratic government in the south against Communists invading from the north. American boys are fighting a godless enemy that Burns shows as a red tide creeping across maps of Southeast Asia and the rest of the world.

The historical footage in Episode One, “Déjà Vu” (1858-1961), which disputes this view of the war, is either ignored or misunderstood. ...

David Thomson at London Review of Books: Merely an Empire

If the film seems like an epic of fiction, it’s because it is less engaged in a quest for historical truth than it is in getting closer to some verities about life and death.
...

http://www.moonofalabama.org/2017/09/the-vietnam-war-documentary-or-epic...

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native

arendt's picture

@native

Reading the corporate media praise this corporatist paean has made me pretty ill.

At least what is left of alternative media is awake.

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@arendt
when one is swimming in a whirlpool of lies. Your careful analysis is a big help to all of us, so thank you arendt.

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native

Bollox Ref's picture

Years ago, I saw Vietnam: A Television History on PBS. I knew practically nothing about Vietnam at the time (other than information gleaned from BBC reports from the '70's), so had no idea whether or not it was a valid documentary. How does the work of Mr. Burns compare?

Thanks arendt for your commentary.

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Gëzuar!!
from a reasonably stable genius.

this NY Times review is sickening in it praise:

https://www.nytimes.com/2017/09/14/arts/television/review-ken-burns-the-...

Review: Ken Burns’s ‘Vietnam War’ Will Break Your Heart and Win Your Mind
By JAMES PONIEWOZIK SEPT. 14, 2017

… it is probably Mr. Burns’s saddest film. “The Civil War” was mournful, but at least the Union was preserved. “The War” ended with fascism defeated.

The war in Vietnam offers no uplift or happy ending. It’s simply decades of bad decision after bad decision, a wasteful vortex that devoured lives for nothing. It was, the narrator Peter Coyote says, “begun in good faith by decent people out of fateful misunderstandings, American overconfidence and Cold War miscalculations.”

“The Vietnam War” is less an indictment than a lament.

… Sometimes the film echoes today’s headlines, as in the subplot of foreign collusion in an American election.

… you could argue that this predictability has a purpose. Mr. Burns is willing to risk obviousness because his project is not to find surprising twists on American history. It’s to create a historical canon in the most broadly acceptable terms.

This might in part be public-TV centrism, but it’s also an ideology. Mr. Burns’s films assume that it’s still possible for Americans to have an agreed-on baseline — on government, war, race and culture — from which to go forward.

… The saddest thing about this elegiac documentary may be the credit it extends its audience. “The Vietnam War” still holds out hope that we might learn from history, after presenting 18 hours of evidence to the contrary.

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